Kristine Mifsud is an interdisciplinary visual artist based in Toronto Canada.
Her work and methodology considers unidentifiable found objects, materials, structural forms and context, or lack of context.
Her process is intuitive, embracing the unknowing of the objects that inform her work, and working through the considerations afforded by this not knowing.
Kristine received an Ontario Arts Council Project Grant to pursue the practice of pine and birch tar-making, an extension of her interest in materials, and found materials.
Recently Kristine’s work was included in Support Gallery's inaugural exhibition 'this will never end' in London ON, and The Sculpture Center, Cleveland, 'After the Pedestal' group show of small sculpture curated by Dr. Cathleen Chaffee, Chief Curator at the Albright-Knox Art Gallery. Kristine received a Bachelor Visual Arts at the University of Guelph, Canada, specializing in drawing and painting, moving to Japan, Europe and Australia before returning to Toronto, Canada in 2008.

2019 Rucka Artist Residency Rucka, Cesis, Latvia April-May 2019

2019 window installation inventory, winter 2019 aiou design co/ DesignTO Jan 2019

2018 After the Pedestal The Sculpture Center, Cleveland OH June-Aug 2018

2018 this will never end Support Gallery, London ON Jan-Feb 2018

2017 Roja Art Lab Maxima structure, Roja Latvia July 2017

2017 Twice Removed Gallery A, Robert McLaughlin Gallery, Oshawa ON February-March

2016 Get Noticed Redhead Gallery, Toronto December

2016 structures Photo Narratives (dot) com, Online Gallery, October

2016 closed circuit Artscape Youngplace, FlexStudio 109, Toronto ON September

2015 RE:Res University of Buffalo Galleries Buffalo NY November

2015 Show 15 The Idea Exchange, Cambridge ON July

2015 Perhaps Hand The Black Cat Gallery, Toronto March

2015 In Search of Glint Texting Narratives

2014 The Fire Doesnt Burn Itself Afterhours Projects, Toronto

2014 Artscape Residency/ w Vasco Araujo (June) Soi Fischer Projects

2013 Abstract Implications III Pt 2 Project Gallery Toronto

2013 Abstract Implications III Pt 1 Gallery 1313 Toronto